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	<title>SGNewWave</title>
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	<link>http://sgnewwave.com/main</link>
	<description>our movement in film.</description>
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		<title>The Duality of Alexander Mackendrick</title>
		<link>http://sgnewwave.com/main/2010/03/the-duality-of-alexander-mackendrick/</link>
		<comments>http://sgnewwave.com/main/2010/03/the-duality-of-alexander-mackendrick/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 09:38:33 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Film Genres]]></category>
		<category><![CDATA[Foreign Cinema]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1373</guid>
		<description><![CDATA[

Alexander Mackendrick is one of the most distinguished (if frequently overlooked) directors ever to emerge from the British film industry. He was one of the finest and least typical directors at Ealing Studios. Perhaps best known for the four comedies, Whiskey Galore! (1949) and The Ladykillers (1955), satire, with The Man in the White Suit (1951), romance, with Saraband for Dead Lovers (1948). He made there, he nonetheless created films of a rare blackness, marked by a pessimistic &#8211; albeit witty &#8211; vision of human cruelty, corruptibility, and self-obsession.
Watch the ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/Ladykillers01.jpg"><img class="aligncenter size-full wp-image-1374" title="Ladykillers01" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Ladykillers01.jpg" alt="" width="553" height="339" /></a></p>
<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/ladykillers.jpg"><img src="http://sgnewwave.com/main/wp-content/uploads/2010/03/ladykillers.jpg" alt="" title="ladykillers" width="220" height="310" class="alignleft size-full wp-image-1380" /></a><br />
Alexander Mackendrick is one of the most distinguished (if frequently overlooked) directors ever to emerge from the British film industry. He was one of the finest and least typical directors at Ealing Studios. Perhaps best known for the four comedies, Whiskey Galore! (1949) and The Ladykillers (1955), satire, with The Man in the White Suit (1951), romance, with Saraband for Dead Lovers (1948). He made there, he nonetheless created films of a rare blackness, marked by a pessimistic &#8211; albeit witty &#8211; vision of human cruelty, corruptibility, and self-obsession.</p>
<p>Watch the Great-Interview-With-Most-Popular-Stars-In-The-Movie-Business-Show-Young-And-Old with Pamela Soh.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/FHIST_PamelaSoh.mp4a.m4a"></embed></p>
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		<title>Dark Images of Julien Duvivier</title>
		<link>http://sgnewwave.com/main/2010/03/dark-images-of-julien-duvivier/</link>
		<comments>http://sgnewwave.com/main/2010/03/dark-images-of-julien-duvivier/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 09:10:39 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1361</guid>
		<description><![CDATA[
Revered by such legendary fellow directors as Ingmar Bergman and Jean Renoir, Julien Duvivier is one of the greatest figures in the history of French cinema and of world cinema in general. He is perhaps the most neglected of the &#8220;Big Five&#8221; of classic French cinema (the other four being Jean Renoir, Rene Clair, Jacques Feyder, and Marcel Carne), partly due to the uneven quality of his work. But despite his misfires, the cream of his oeuvre is simply stellar and deserves to be mentioned in the same breath as ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/Pepe-le-Moko.jpg"><img class="alignleft size-medium wp-image-1362" title="Pepe le Moko" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Pepe-le-Moko-211x300.jpg" alt="" width="176" height="250" /></a><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/duvivier2.jpg"><img class="alignright size-full wp-image-1363" title="duvivier2" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/duvivier2.jpg" alt="" width="172" height="164" /></a></p>
<p>Revered by such legendary fellow directors as Ingmar Bergman and Jean Renoir, Julien Duvivier is one of the greatest figures in the history of French cinema and of world cinema in general. He is perhaps the most neglected of the &#8220;Big Five&#8221; of classic French cinema (the other four being Jean Renoir, Rene Clair, Jacques Feyder, and Marcel Carne), partly due to the uneven quality of his work. But despite his misfires, the cream of his oeuvre is simply stellar and deserves to be mentioned in the same breath as filmdom&#8217;s most breathtaking masterpieces.</p>
<p>Discover the work of Duvivier with Bharat.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Podcast-Julien-Duvivier.m4a"></embed></p>
<p><a href=''>Julien Duvivier</a></p>
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		<title>Vincente Minnelli: a Story of Taste and Style</title>
		<link>http://sgnewwave.com/main/2010/03/vincente-minnelli-a-story-of-taste-and-style/</link>
		<comments>http://sgnewwave.com/main/2010/03/vincente-minnelli-a-story-of-taste-and-style/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 08:38:49 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1350</guid>
		<description><![CDATA[Vincente Minnelli is remembered as one of American cinema&#8217;s most distinctive and creative visual stylists. His lavish use of color and, in the 1950s, widescreen, was praised by French critics who deemed him a master of &#8220;mise-en-scène.&#8221; A generation of younger American filmmakers, including Martin Scorsese (whose 1977 New York, New York starring Vincente and Judy Garland&#8217;s daughter Liza Minnelli, contains many touches in homage to Minnelli) has cited him as an influence. His best-known screen work was done in the musical genre, where he also worked as a stage ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/An-American-in-Paris-Minnelli.jpg"><img class="alignright size-full wp-image-1352" title="An American in Paris (Minnelli)" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/An-American-in-Paris-Minnelli.jpg" alt="" width="351" height="234" /></a>Vincente Minnelli is remembered as one of American cinema&#8217;s most distinctive and creative visual stylists. His lavish use of color and, in the 1950s, widescreen, was praised by French critics who deemed him a master of &#8220;mise-en-scène.&#8221; A generation of younger American filmmakers, including Martin Scorsese (whose 1977 New York, New York starring Vincente and Judy Garland&#8217;s daughter Liza Minnelli, contains many touches in homage to Minnelli) has cited him as an influence. His best-known screen work was done in the musical genre, where he also worked as a stage director before going to Hollywood.</p>
<p>Discover his work with Michael Davies.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Vincente-Minnelli-FHISTO-Michael-Davies-T2B2.m4a"></embed></p>
]]></content:encoded>
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		<title>The Enigmatic Cinema of Krzysztof Kieslowski</title>
		<link>http://sgnewwave.com/main/2010/03/the-enigmatic-cinema-of-krzysztof-kieslowski/</link>
		<comments>http://sgnewwave.com/main/2010/03/the-enigmatic-cinema-of-krzysztof-kieslowski/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 08:10:21 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Foreign Cinema]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1344</guid>
		<description><![CDATA[Krzysztof Kieslowski&#8217;s Three Colours trilogy is a monumental work that blends cinema, philosophy and music in a seamless whole. Kieslowski started his career shooting documentaries and later became associated with the cinema of moral anxiety, which grouped several Polish directors, including &#8216;Andrzej Wajda&#8217;, and aimed to depict the conditions of Poles under communism. His best known work was the three colors series Red, White,  and Blue. Red brought him an Academy Award nomination for best director in 1995, Blue shared the Golden Lion at Venice in 1993, and White ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/KIESLOWSKI.jpg"><img class="alignleft size-full wp-image-1317" title="KIESLOWSKI" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/KIESLOWSKI.jpg" alt="" width="191" height="273" /></a><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/3-Colors.jpg"><img class="alignright size-full wp-image-1318" title="3 Colors" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/3-Colors.jpg" alt="" width="168" height="231" /></a>Krzysztof Kieslowski&#8217;s Three Colours trilogy is a monumental work that blends cinema, philosophy and music in a seamless whole. Kieslowski started his career shooting documentaries and later became associated with the cinema of moral anxiety, which grouped several Polish directors, including &#8216;Andrzej Wajda&#8217;, and aimed to depict the conditions of Poles under communism. His best known work was the three colors series Red, White,  and Blue. Red brought him an Academy Award nomination for best director in 1995, Blue shared the Golden Lion at Venice in 1993, and White earned Kieslowski the best director prize in Berlin, 1994.</p>
<p>Watch the podcast by Dhuha Isa about Krzysztof Kieslowski.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/FHIST_DhuhaIsa.m4a"></embed></p>
]]></content:encoded>
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		<title>Otto the terrible</title>
		<link>http://sgnewwave.com/main/2010/03/otto-the-terrible/</link>
		<comments>http://sgnewwave.com/main/2010/03/otto-the-terrible/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 06:44:00 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1331</guid>
		<description><![CDATA[
Otto Ludwig Preminger was an Austro–Hungarian-born American film director who moved from the theatre to Hollywood, directing over 35 feature films in a five-decade career. He rose to prominence for stylish film noir mysteries such as Laura and Fallen Angel. In the 1950s and 1960s, he directed a number of high-profile adaptations of popular novels and stage works. Several of these pushed the boundaries of censorship by dealing with topics which were then taboo in Hollywood, such as drug addiction (The Man with the Golden Arm, 1955), rape (Anatomy of ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/AdviseConsent1.jpg"><img class="aligncenter size-full wp-image-1333" title="AdviseConsent1" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/AdviseConsent1.jpg" alt="" width="579" height="258" /></a></p>
<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/Otto-Preminger.jpg"><img class="alignleft size-medium wp-image-1332" title="Otto Preminger" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Otto-Preminger-207x300.jpg" alt="" width="207" height="300" /></a>Otto Ludwig Preminger was an Austro–Hungarian-born American film director who moved from the theatre to Hollywood, directing over 35 feature films in a five-decade career. He rose to prominence for stylish film noir mysteries such as Laura and Fallen Angel. In the 1950s and 1960s, he directed a number of high-profile adaptations of popular novels and stage works. Several of these pushed the boundaries of censorship by dealing with topics which were then taboo in Hollywood, such as drug addiction (The Man with the Golden Arm, 1955), rape (Anatomy of a Murder, 1959), and homosexuality (Advise and Consent, 1962). He was twice nominated for the Best Director Academy Award.</p>
<p>Discover the work and life of Otto Preminger in this podcast by Charmaine Ho.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Otto-Preminger.m4a"></embed></p>
]]></content:encoded>
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		<title>The Groundbreaking Director Nicolas Roeg</title>
		<link>http://sgnewwave.com/main/2010/03/the-groundbreaking-director-nicolas-roeg/</link>
		<comments>http://sgnewwave.com/main/2010/03/the-groundbreaking-director-nicolas-roeg/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 06:25:26 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Foreign Cinema]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1325</guid>
		<description><![CDATA[ Nicolas Roeg is a British film director known for breaking the conventions of editing and his ability to use atmosphere well, Roeg stretched the boundaries of what could be done with film.
He is famed for stringing together disjointed stories in which everything was semi-coherent until the very end, where a crucial piece of information was given to help make sense of the story. He has a foreboding sense of atmosphere that is still influencing the directors of today, and his original approach to editing resulted in some of the ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/Nicolas-Roeg.jpg"><img src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Nicolas-Roeg-227x300.jpg" alt="" title="Nicolas Roeg" width="227" height="300" class="alignleft size-medium wp-image-1326" /></a> Nicolas Roeg is a British film director known for breaking the conventions of editing and his ability to use atmosphere well, Roeg stretched the boundaries of what could be done with film.</p>
<p>He is famed for stringing together disjointed stories in which everything was semi-coherent until the very end, where a crucial piece of information was given to help make sense of the story. He has a foreboding sense of atmosphere that is still influencing the directors of today, and his original approach to editing resulted in some of the most groundbreaking sequences in film. </p>
<p>Discover Nicolas Roeg and watch the podcast by Charissa Khor.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/PODCAST.m4v"></embed></p>
]]></content:encoded>
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		<item>
		<title>Facing the Giants</title>
		<link>http://sgnewwave.com/main/2010/03/facing-the-giants/</link>
		<comments>http://sgnewwave.com/main/2010/03/facing-the-giants/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 08:10:57 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Film Genres]]></category>
		<category><![CDATA[Foreign Cinema]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1303</guid>
		<description><![CDATA[
Facing the Giants is a film directed by Alex Kendrick whom also acted as the main character in the film, Grant Taylor. The film was released on September 29 2006, with the genre of Drama, Religion and Sports.
It is also rated PG as it contains football violence and topics like infertility and depression.
Find out more about the movie and watch the podcast by Amanda Loh.


]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/FacingTheGiants.jpg"><img class="alignright size-medium wp-image-1304" title="FacingTheGiants" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/FacingTheGiants-300x292.jpg" alt="" width="300" height="292" /></a></p>
<p>Facing the Giants is a film directed by Alex Kendrick whom also acted as the main character in the film, Grant Taylor. The film was released on September 29 2006, with the genre of Drama, Religion and Sports.</p>
<p>It is also rated PG as it contains football violence and topics like infertility and depression.</p>
<p>Find out more about the movie and watch the podcast by Amanda Loh.<br />
<img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Podcast.m4a"></embed></p>
]]></content:encoded>
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		<title>28 Days Later</title>
		<link>http://sgnewwave.com/main/2010/03/28-days-later/</link>
		<comments>http://sgnewwave.com/main/2010/03/28-days-later/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 07:59:14 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Foreign Cinema]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1296</guid>
		<description><![CDATA[
28 Days Later is a 2002 British post-apocalyptic film starring Cillian Murphy, Naomie Harris, Brendan Gleeson and Christopher Eccleston, and is directed by Danny Boyle. Yes. Danny Boyle &#8211; the man who also directed the award winning Slumdog Millionaire. 1Now, returning to 28 Days Later. The story opens with a group of animal rights activists breaking into a primate research facility to free the caged chimps. Unfortunately to them, the chimps are infected with a virus, known as RAGE. Of course, the virus spreads around and all hell breaks loose.
Listen ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/28_days_later.jpg"><img src="http://sgnewwave.com/main/wp-content/uploads/2010/03/28_days_later-300x225.jpg" alt="" title="28_days_later" width="300" height="225" class="alignleft size-medium wp-image-1297" /></a></p>
<p>28 Days Later is a 2002 British post-apocalyptic film starring Cillian Murphy, Naomie Harris, Brendan Gleeson and Christopher Eccleston, and is directed by Danny Boyle. Yes. Danny Boyle &#8211; the man who also directed the award winning Slumdog Millionaire. 1Now, returning to 28 Days Later. The story opens with a group of animal rights activists breaking into a primate research facility to free the caged chimps. Unfortunately to them, the chimps are infected with a virus, known as RAGE. Of course, the virus spreads around and all hell breaks loose.</p>
<p>Listen to the podcast made by Gan Jia Yi.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/28dayslater.m4a"></embed></p>
]]></content:encoded>
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		<title>Children of Men</title>
		<link>http://sgnewwave.com/main/2010/03/children-of-men/</link>
		<comments>http://sgnewwave.com/main/2010/03/children-of-men/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 07:41:25 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Foreign Cinema]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1283</guid>
		<description><![CDATA[
“Children of Men” is a British science fiction film based loosely on the novel, of the exact same name, by Phyllis Dorothy James. Co-written and directed by Mexican filmmaker Alfonso Cuarón, the film includes several acting heavy weights like Clive Owen, Michael Caine, and Julianne Moore. 
Set in the year 2027, in a world of chaos, women of the world have mysteriously gone infertile and there hasn’t been a single childbirth for 18 years. A former activist, Theo Faron, played by Clive Owen, agrees to escort a miraculously pregnant refugee ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/children_of_men_poster.jpg"><img class="alignleft size-medium wp-image-1284" title="children_of_men_poster" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/children_of_men_poster-212x300.jpg" alt="" width="212" height="300" /></a></p>
<p>“Children of Men” is a British science fiction film based loosely on the novel, of the exact same name, by Phyllis Dorothy James. Co-written and directed by Mexican filmmaker Alfonso Cuarón, the film includes several acting heavy weights like Clive Owen, Michael Caine, and Julianne Moore. </p>
<p>Set in the year 2027, in a world of chaos, women of the world have mysteriously gone infertile and there hasn’t been a single childbirth for 18 years. A former activist, Theo Faron, played by Clive Owen, agrees to escort a miraculously pregnant refugee to the scientists of a mysterious organization called the Human Project.The birth of the child may help the scientists find a cure to humanity’s inability to procreate, and possibly save humans from extinction.</p>
<p>Ryan Wong analyzes the cinematography, mise-en-scene and editing of the film.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
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		<title>A Series of Unfortunate Events</title>
		<link>http://sgnewwave.com/main/2010/03/a-series-of-unfortunate-events/</link>
		<comments>http://sgnewwave.com/main/2010/03/a-series-of-unfortunate-events/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 07:25:57 +0000</pubDate>
		<dc:creator>Melanie</dc:creator>
				<category><![CDATA[Film Genres]]></category>
		<category><![CDATA[Mainstream Films]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://sgnewwave.com/main/?p=1273</guid>
		<description><![CDATA[
The podcast you are about to see is extremely unpleasant.
If you wish to see a podcast about a happy little elf, I&#8217;m sure there is still plenty of seating in theatre number two.
However, if you like stories about clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food and secret organizations, then stay, as I retrace each and every one of the Baudelaire children&#8217;s woeful steps.
My name is Rachel Yap, and it is my sad duty to document this podcast.


]]></description>
			<content:encoded><![CDATA[<p><a href="http://sgnewwave.com/main/wp-content/uploads/2010/03/a-series-of-unfortunate-events.jpg"><img class="alignright size-medium wp-image-1274" title="a-series-of-unfortunate-events" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/a-series-of-unfortunate-events-204x300.jpg" alt="" width="204" height="300" /></a></p>
<p><strong>The podcast you are about to see is </strong><strong>extremely unpleasant</strong>.</p>
<p>If you wish to see a podcast about a happy little elf, I&#8217;m sure there is still plenty of seating in theatre number two.</p>
<p>However, if you like stories about clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food and secret organizations, then stay, as I retrace each and every one of the Baudelaire children&#8217;s woeful steps.</p>
<p>My name is Rachel Yap, and it is my sad duty to document this podcast.</p>
<p><img src="http://sgnewwave.com/personal/podcast.jpg" alt="podcast" /><br />
<embed autoplay="false" scale="tofit" width="406" height="406" src="http://sgnewwave.com/main/wp-content/uploads/2010/03/Podcast-2.m4a"></embed></p>
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