About C.R.A.Z.Y.

The film is based on the memoirs of a man called Francois Boulay, interspersed with director, Jean-Marc Vallee’s. It is also about the title itself, a story of 5 different boys although it mainly focuses on the 4th child, Zac. It is practically about his entire growth and experience in life from wetting his bed as a young boy and to being sexually confused in his teenage years.

The film opens quickly to Zac’s birth on Christmas day. After all the exposure from other films, it seems rather normal to see a woman’s water bag burst but to see a young child dropping his new born baby brother is definitely jaw dropping. Of course, the point of the film is not to shock you. This is no thriller or horror flick. As mentioned, it is about a direct and honest growth of a boy and his experience in life with a catholic family.

The film gives simple, direct points on how Zac’s growth contributed to his sexually confused state in the end. It ranges from his true birthday desires, a carriage where girls place their dolls in, to him dressing up as a girl while he plays with his baby brother. Of course, no masculine father can bear to see his son turn out into a “sissy”. Then again, Zac’s mother has always been supportive of her son. In a way, she is the responsible one for fulfilling Zac’s inner most desires by allowing him to push his baby brother’s cot away from his father’s eyes. Still, no secret can be kept for long. His father soon finds out and whatever pleasant relationship they had with each other is diminished.

Throughout the film, we see Zac having infatuations with different men apparent in his life, from his cousin’s boyfriend to a boy in school who has a crush on Zac. Zac’s father, obviously, isn’t very happy when he discovers all these affairs. The funny thing is that Zac’s father himself had tried to enter his pecker into his wife’s ass. Neither once nor twice, sadly, did he manage to do that, as his wife remembers.

The film also transports us from Zac’s character to his roots of religion when Zac escapes to the holy land Jerusalem after having a tiff with his father as his urges for men returns to haunt him. He even jokingly pokes fun at his mother who would kill to go there.

The story then reunites us with Zac and his family where he tragically finds his eldest brother in critical condition after an overdose of drugs. His mother receives him warmly but his father doesn’t. The rest of his brothers don’t say much but it feels as if everything has calmed down now. Zac departs again after hearing his father’s regret, leaving behind the limited edition of Crazy. From here, Zac seeks forgiveness from Michelle, apologizing in a warm embrace.

Zac’s eldest brother dies and the funeral wake rolls along and brings all the brothers together once more. As the end grows near, the song Crazy returns, playing in the background. It is here where Zac reconciles with his father. As soapy as it may seem, it felt as though love came through everything. At this intense emotional state, comedy breaks in as the youngest brother breaks the vinyl Crazy, just like Zac when he was younger.

The story then ends, coming a full circle where one sees young boy Zac in the car feeling the wind blow through his hair and then with older Zac driving along, caring for his now old father, having accepted Zac’s homosexuality. A great happy ending indeed.

Raves and Rants about the Film

It is not the title of a Britney spears song. Crazy is a song about romance that was interpreted by Patsy Cline, an oldie that perhaps my own father would remember and enjoy. The song Crazy as been used as the main theme of a French Canadian film of the same name; I myself have fallen in love with this film. It reaches out and grabs me, giving me a strange tingly feeling within.

C.R.A.Z.Y. is what one would call a gay film and now with all the hype from Brokeback Mountain, one would expect to see something similar but forget about Brokeback Mountain when you watch Crazy. So what about gay cowboys with apparent lust when they had nothing to do on a mountain? I feel that Crazy is far better than that. It shows growth in a sense where one needs no cowboy hat to feel the love. One can relate and feel similar relations when they watch Crazy. As much as Brokeback Mountain may have been about homosexuality in an area which has low tolerance about it, Crazy is something that can happen at home. A boy’s revelation about his homosexuality to his parents is something one can see happening around them. Crazy is about the reality around us with a tinge of comedy and drama add to it. It’s like art imitating life, whereas Brokeback Mountain feels as if it’s an erotic fantasy novel being played out on film.

I’m very impressed with Crazy’s nice approach to its topic. I feel that it was playful and naughty with its story telling techniques. Like mentioned in the synopsis above, it seriously transcends the audience into the growth of Zac himself without boring the viewers at all. It is direct to start off with Zac’s birth and then ‘bring us along’ with him as the film reveals his relationship with his father. It was been a great relationship, where his father showered him endlessly with love. Even until the end, after all the conflict and problems that arose in Zac’s life, his father loved him to the very end. Crazy’s setting also shows changes as Zac progresses in life. Ranging from possibly the late 70’s to the present, it’s been a long way yet the film remains pleasant and enjoyable through out.

The editing plays an important role in keeping the movie fresh throughout. For example, to show what Zac’s brothers’ specialties were, only freeze framed pictures were used to show what they could do. Also, the film used innovative ways to show transitions of Zac’s growth. A camera flash was used to show Zac’s growth from a baby to a child receiving a huge gift on his birthday whereas a dream sequence was used to show his growth from a child to a teenager. Again, I loved the naughty transition which featured oral sex to show his growth from a teenager to an adult. It also did the concealing and revealing of his sexuality then. Slow motion and fast motion were also done to emphasis the violence as Zac thrashed the boy who had a crush on him. Another interesting point in editing was when the brothers were explaining how their eldest brother was found in critical condition in the toilet. The film used a flash frame, where it quickly revealed the position he was in, in a flash.

As I had mentioned earlier, a voiceover was present to help move the story forward. I personally love voiceovers. It really feels as though someone’s telling the story to you, like a parent reading a book to a child before bed. Of course, the voiceover only appears at appropriate times. Just like Desperate Housewives, it appears at the start of the film and at the end of the film to sum things up. I feel it gives a much more wholesome ending to the film.

The casting of the show is rather well done. I personally found that Zac pulled off his character well. Especially young Zac, it’s remarkable to know that a young boy could act so well. Still, as much as I enjoyed Zac’s performance in the film, I felt that Zac’s father’s presence was much stronger and more important. As much as he provided the “seed” that contributed to Zac’s birth, it felt as if he held the show together. His presence was strongly felt until the very last scene. His acting was so real that he could even be anyone’s father. It’s really that spectacular.

Even with all these things the film has done, I feel the best thing the film has given to its audiences, is love. I sat there, watching the film and feeling it. As much as one could almost cry when they watch Brokeback Mountain’s men being separated and then reunited once more, I feel that Crazy brought more love than that: the love of a father to his son and a son to his father. I was tremendously touched when the film ended. Love triumphed in the end and to see that it came full circle when Zac brought his father to eat chips, it’s something even a heterosexual man can feel touched with.

I’m sure after watching the film; the people around me cannot help but return home to give their own fathers a warm hug.

Written by: Bryan Ho

 


Director:
Jean-Marc Vallée

Cinematography:
Pierre Mignot

Running Time: 127 min
Country: Canada


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